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August 2003 Newsletter
Online Issue # 4

Profile of Constance Saunders:
         • Life Is Art

“I hardly recognize the dream
now cracked
rooted
sprouted.”

from the poem “Fourteen Days Into My Dream”
by Constance Saunders

"There comes a time when holding oneself tightly in a bud is more painful than opening." This rephrase of Anais Nin has been taped to my bathroom mirror for two years. The pain of keeping my creativity wrapped inside, while I attended to real-world issues of earning a living, became unbearable last October. It was time to support myself with my art - whatever that meant. I thought letting go of a steady paycheck and good health insurance coverage was going to be the hard part. In reality, it was easy compared with maintaining the self-directed spirit needed to be a working artist.

My mother wrote in my baby book when I was two-and-a-half that she believed I was going to be an artist because I was always drawing on the front room window with my finger. An artistic bent has permeated my life - I've expressed myself with drawing, pottery, writing, weaving, quilting, sewing, crocheting, knitting and spinning. Sewing my own clothes has been the one constant source of expression - all the way back to learning to sew a straight seam to the rhythmic motion of mom's treadle machine. All the other art and craft activities entered and exited my life on cue, though at times I felt that I could never carry an idea through to completion. I built on my college art minor with drawing classes as time allowed. In pottery, I used the clay body as a canvas and painted songbirds and cranes using my own glaze formulas. Messy and breakable pottery gave way to weaving scarves and blankets that could warm friends' babies. I crocheted a veritable blizzard of snowflakes and knitted enough socks for the whole family - literally.

But I have only so many windows to decorate with snowflakes, and socks wear out, so while I was exploring the intricate designs of nine-patch quilts - and cursing the inartistic need to sew EVERY seam so very straight - I learned to create landscapes on the sewing machine from photos. Tacking down tiny collage pieces left me cold, so I decided to sew the entire picture with threadwork. Years of sewing experience merged with an innate ability to transfer images by eye-hand coordination, giving birth to my own unique art form. "I've never seen anything like it!" exclaim family, friends and strangers who stare in amazement that I create whole pictures in thread which look like paintings from a distance. I am blessed.

Sometimes my belief in my artistic abilities is not as strong as my mother's. When the voices shouting, "What do you think you're doing being an artist?" become too loud to ignore, I recall how I figured out all the details of traveling alone to Italy in 1997 to study weaving for a month. On my departure day an overwhelming panic seized me as I was leaving the house for the airport: "What do you think you're doing going to a FOREIGN COUNTRY ALL ALONE for five weeks?" My son Erik's confident, "You'll be fine, Mom." helped repack my self-confidence, and off I went. I lived with an Italian woman who spoke no English, and I knew virtually no Italian! I boldly fulfilled a dream and "mighty forces came to my aid". Since I had no idea what I was doing several times a day, I had to stay alert to my instinctual voice within. As long as I asked questions, and kept being willing to risk walking in the unknown, I received information to figure things out. The experience was so successful that I've traveled alone two more times to Florence to study at the same art school.

As long as I continue to risk walking in the unknown - that is the key. As long as I continue to open myself to my art, the tight bud opens. I stretch to find new avenues to sell my art, people to contact who lead me to other contacts, and confidence to take the next step. In January I sent a letter, with the help of a friend experienced in marketing, to interior designers with a sample print of one of my Thread Impressions of the Temperance River. I, the former Tupperware and Avon dealer who found it difficult to approach others to make a sale, now found myself making cold calls: "Hi! I'm an artist who sews thread on hand-painted silk. Could I send you a copy of my work? Good. To whom shall I address the print?" Who was saying these things? The next week, I'd call back each designer and ask to meet and show my originals. A twenty percent response to meet with thirteen designers seemed small to me, but in the marketing world this is very good. I had assumed that no one at Gabberts, an exclusive furniture and design studio, would want to talk with me, so I initially skipped their listing in the phone book. When I finally stepped past my censors and made the call, the Executive Director became a valuable source of information and feedback. As long as I continue to risk walking in the unknown....

I felt like a one-year old learning to walk as I said feebly at first, then boldly, "Yes, I am an artist." Claiming myself as an artist took many years; I preferred to call myself a "part-time artist." Claiming myself as an artist has led me past desiring, to the next step of actually following my heart's desire. True, the self-directed path looks and feels different than I had imagined. And the streets of Florence looked different than any photos - sometimes better, sometimes disappointing.

I have worked harder in the past six months than ever before, yet I struggle with internal voices chiding me for not making a living with my art. Though I am selling pieces slowly, it is not a steady source of income. I strive to listen to the message from my mother that I recently taped to my bathroom mirror: "I believe Connie will be an artist." I need to continue making Thread Impressions and marketing them, both time-consuming activities. As long as I continue to risk walking in the unknown, I will turn the spirit of opening myself to my art into my reality.

Temperance River Thread Impression

Thread Impression of the Temperance River
© Copyright 2003, Constance Saunders

Editor's Note: If you would like to contact Constance about Thread Impressions and where you can view or purchase her art, please e-mail her at viaboito@usfamily.net .

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